Vorträge, Ausstellungs- und Atelierbesuche von und mit internationalen Gästen
Lectures and visits to exhibitions and studios by and with international guests


  • Curating before, during (and after) war: Ukrainian case.

    Curating before, during (and after) war: Ukrainian case.

    Lecture by Lizaveta German
    Paulusplatz 5, Seminarraum 2. Stock
    1030 Wien

    2022 October 20 / 14:00

    Curating today can be many things, as proved by a good deal of literature on the subject.

    In her professional practice, Kyiv-based, temporary Vienna-relocated Lizaveta German has tested many of those “manies”. Curating is an adventure, Lizaveta believes. Especially if you dare to choose a free-lancer’s path in Ukraine. In her statement, Lizaveta will speak about her most recent experience of producing new exhibitions, including the Ukrainian pavilion at the 59th International Exhibition–La Biennale di Venezia, and of different ways to support Ukrainian artists in times of war. Curating comes from latin curare, which means to care. It seems like a good time to restore the true meaning of this word.

     


  • THE SIMULTANEITY OF THE APPARENTLY UNEQUAL.

    THE SIMULTANEITY OF THE APPARENTLY UNEQUAL.

    Lecture by Klaus Schafler
    Paulusplatz 5, Seminarraum 2. Stock
    1030 Wien

    2022 October 13 / 14:00
    Lange Momente, scheinbar beiläufig Entdecktes und Situationen zwischen Fakten und Fiktionen zu Alltag, geopolitischem Geschehen und Kunst sind oft Ausgangspunkt der künstlerischen wie kuratorischen Projekte von Klaus Schafler. Gleichzeitig arbeitet er in wechselnden Rollen, zwischen eigener künstlerischer Praxis, in temporären Kollektiven, und seit September 2022 auch als der Leiter einer Kunstinstitution, der Kunsthalle Exnergasse in Wien.

    Long moments, seemingly incidental discoveries and situations between facts and fictions about everyday life, geopolitical events and art are often the starting point of Klaus Schafler’s artistic as well as curatorial projects. In simultaneity he works in changing roles, between his own artistic practice, in temporary collectives, and since September 2022 also as the director of an art institution, the Kunsthalle Exnergasse in Vienna.

     


  • action-body

    action-body

    Lecture by Florentina Holzinger
    Paulusplatz 5, Seminarraum 2. Stock
    1030 Wien

     

    Zoom: https://dieangewandte-at.zoom.us/j/66798760810

    2022 April 28 / 14:00

    Florentina Holzinger untersucht und schöpft in ihren Arbeiten aus dem vollen Potenzial von Körperlichkeit. Viele ihrer Arbeiten stellen Abhandlung von Traditionen aus Hoch- und Popkultur und den Motiven und Mustern vergangener Jahrhunderte dar.

     


  • Margot Pilz. Selbstauslöserin

    Margot Pilz. Selbstauslöserin

    Artist talk with Margot Pilz
    at Kunsthalle Krems
    Museumsplatz 5
    3500 Krems an der Donau

    for the covid 19 regulations of
    the museum click here

    2022 March 17 / 14:45

    Margot Pilz (*1936 in Haarlem (NL), aufgewachsen in Indonesionen, lebt in Wien) gehört zu den Konzept- und MedienkünsterInnen der ersten Stunde.

     

     

     

    Margot Pilz (*1936 in Haarlem (NL), raised in Indonesia, lives in Vienna) belongs to the very first concept and media artists.

     


  • GONE SWIMMING

    GONE SWIMMING

    Lecture by Andrea Lüth and Gerald Roßbacher
    Paulusplatz 5, Seminarraum 2. Stock
    1030 Wien

     

    You are welcome to join the statement
    via zoom meeting:: click here

    2021 December 16 / 14:00

    In 2015 Andrea Lüth and Gerald Roßbacher founded the artist-run-space KLUCKYLAND in the 20th district Brigittenau in Vienna. The art space has two glass fronts and is therefore maximally directed outwards. Alongside solo- and group-exhibitions, they organize various events in KLUCKYLAND, which form the basis of the social function of the space.

    https://kluckyland.com

     


  • ri-mEm-buhr THuh mUHn-ee

    ri-mEm-buhr THuh mUHn-ee

    Lecture by Nora Turato
    Secession
    Friedrichstraße 12
    1010 Wien

     

    Access to the Secession building is only
    possible by adhering to the 2G-PLUS
    ruling (vaccinated, recovered from
    infection – plus PCR-tested)

    2021 November 18 / 16:00

    At the very core of Nora Turato’s practice is language. In her work she translates information absorbed from her daily intake of articles, conversations, subtitles and advertising slogans into linguistic-visual scripts for videos, installations, artist books, murals and spoken word performances.

     


  • PHOTOGRAPHY AS MOTIF

    PHOTOGRAPHY AS MOTIF

    Lecture by Lisa Rastl and Claudia Rohrauer
    Paulusplatz 5, Seminarraum 2. Stock
    1030 Wien

     

    Access to all University buildings for both university members and external persons is only possible by adhering to the 2.5G ruling (vaccinated, recovered from infection, PCR-tested)

    2021 October 28 / 14:00

    Sharing similar biographies in their education both as photographers and artists, Lisa Rastl and Claudia Rohrauer observe aspects of the photographic from within their applied working practice in order to turn them into the motifs of their artistic work. The technical and sociocultural foundations of the medium, but also Rastl and Rohrauers individual and personal working experiences serve as a pool of potential contents and tools to research photography and to photograph research at the same time.

     


  • Please don’t take off the lids. The pods are empty.

    Please don’t take off the lids. The pods are empty.

    Lecture by Michael Strasser
     

    You are welcome to join the statement
    via zoom meeting: https://eu01web.zoom.us/j/62189235315

    2021 April 29 / 17:00

    Michael Strasser recherchiert in seiner künstlerischen Arbeit wie sich die Beziehung zwischen Raum und Mensch verändert, wenn etwa dem Wohnraum selbst Raum entzogen bzw. das vorgefundene Material zu einer Skulptur verdichtet wird. Im Radius seiner künstlerischen Praxis initiiert er, mit der Aneignung vorgefundener Raum- und Architektursituationen, ein Offenlegen kultureller und institutioneller Repräsentationssysteme. 

     

    Extracting volume from domestic space, or compressing found materials into sculptures have been some of the artist’s applied strategies. Michael Strasser’s work investigates the shifting relationship between space and human. Through the appropriation of found spaces and architectural situations, he initiates the exposure of cultural and institutional systems of representation. 

     


  • The places of cinema

    The places of cinema

    Lecture by Marlies Pöschl
     

    You are welcome to join the statement
    via zoom meeting: https://zoom.us/j/98964142334

    2021 March 04 / 16:00

    “I went to the cinema with my mother when I was only 4 years old, because she was alone at home with a little kid and wanted to go out and be entertained.” Entlang konkreter und fiktiver Orte, die in ihren Arbeiten auftauchen, geht Marlies Pöschl der Frage nach, wie sich an Drehorten temporäre Gemeinschaften formieren, wie Kino zu einem Ort geteilter Aufmerksamkeit wird.

     

    “I went to the cinema with my mother when I was only 4 years old, because she was alone at home with a little kid and wanted to go out and be entertained.” Along concrete and fictional places in her work, Marlies Pöschl explores the question how temporary communities are being formed at filming locations, how cinema becomes a place of shared concerns.

     


  • “When it no longer fits” she stated.

    “When it no longer fits” she stated.

    Lecture by Pieternel Vermoortel

    You are welcome to join the statement
    via zoom meeting: https://zoom.us/j/94244655893

    2020 November 26 / 14:00

    On practicing the publicness of Art and the body needed to support its voice